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The Golden Pavilion

The This book, published in 1956, is based on a real event: the burning of a famous Buddhist temple by a young novice. The author reconstructs in its own way the facts and try to find a psychological explanation: the protagonist of his novel, Mizoguchi, is a boy clumsy, stuttering as a result of psychological trauma suffered in childhood, and afflicted by an inferiority complex all her life circumstances contribute to worse. Admitted Rokuonji Monastery (which owns the Golden Pavilion) through the benevolence of the prior, just by design by the famous monument an unhealthy admiration, which leads him to identify with the archetype of beauty and make it impossible all other admiration for him and all other affections. The discovery of this paralyzing influence will lead to hate and destroy their idol to finally regain freedom. In The Golden Pavilion is based largely biographical film Mishima, produced by Francis Ford Coppola and George Lucas and directed by Paul Schrader.

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In this book, we can see how a mind can be driven over evil through the obsession. The Golden Pavilion, by Yukio Mishima, is Mizoguchi's tragic story, the protagonist, and his struggle to come to terms with its existence. This novel is not about how to teach or how we should live our lives, but offers an insight into the mind of a deeply troubled young man whose existence is justified to hate the outside world. In the beginning I had problems may go in the novel and enjoy an intrusive narrator. After a few chapters, however, I was drawn by Mizoguchi, by the contrast between the world of evil and beauty. It offers a detailed insight into the thought processes of a person who can only see himself in a negative light. Surprisingly us to understand how the mind of a terrorist who comes to mind, which leads him to do what it does to believe what he believes. To understand the hopelessness and despair they spend. How an active mind through these means to the realization of evil deeds. is a psychological novel about the process of an account in the path of evil, so naturally the main part of the story takes place in the mind.

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Dolores Claiborne

A powerful surround Psychological Thriller. Dolores Claiborne is a widow who worked as an assistant for years in a family home in Maine and is accused of murdering his mistress. His daughter Selena , which was not for 15 years, is a journalist living in New York . Noting the prosecution, the girl goes to visit her mother, also intended to cover journalistically appropriate. The story keeps the tension between the mystery surrounding the murder, and dark spots of the past of a mother and daughter apart. Based on one of the few novels Stephen King that tells a story of everyday horrors, not supernatural. ................................................ .................... This is a story written estrito so bright, that swallows the reader even before he knows what is happening. Dolores Claiborne all life lived in Little Tall Island : A community full of those people who love to talk and on a mob and another. In the course of this description monolithic (Dolores is the only character to speak), she has every deep, dark secret she has. Dolores is a brilliant woman but difficult, not only full of pride, is also an arsenal of sarcastic memories, charm and observations. This Sheriff's office , he has to clear his name yesterday his prostrate employer (and friend, in a strange way) died after falling down stairs. Dolores has been accused of murdering the woman, but swears that she did not kill "That damn Vera Donovan " as they say and puts it eloquently. So, to clear his name and make their story believable, she feels the need to make a confession without information and secret detention. latest catch you on page five. It is lightning fast read speeds. The book is more than Mrs Claiborne talking about the past and present. We discuss everything from their children and the murder of Joe to the number of pins that are hung savannas. Dolores will take you through all the emotional ups and downs with little effort. will be laughing when doing sarcastic and fill any tears when he describes things in the past that have caused great pain and anguish for his family, even feel the impending desire to kill Joe . He deserved to die for the horrific crimes he committed against his family. But Vera, despite his annoying Lady provisions decay, its mass with precise rules about even the most mundane chores, was a good woman, or at least it was not bad. She was the woman who hired the young Dolores and kept with it even after Dolores got pregnant again. Dolores his life ran clean and care for your Vera although the midwife was lost in the senility.

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Frankenstein

"We woke up, a nightmare has the power to poison our sleep.
rested, a vagrant thought spoils our day.
We feel, conceive or reason, laugh or cry, hug a loved one yearn distress or anxiety, is indifferent whether grief or joy as the way of his forgetfulness is always open.
yesterday's man can never be equal to tomorrow, nothing endures but his own immutability. "

" Mary Shelley "

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The passion of Dr. Frankenstein the occult and his obsession with giving life to be together in the creation of a monster. Made of human flesh without soul, while naive equipped amazing strength is a scary monster, but to be pitied. has already become legend, the idea of \u200b\u200bthis book was a rainy night of June 16, 1816. They met around a campfire, talking and drinking wine, Percy Bysshe Shelley (husband of Mary Shelley), Lord Byron, Claire Clairmont (the wife of poet) and John W. Polidori, physician and writer. Apparently, at some point in the meeting, each of those present made a commitment to write a horror story. True to the agreement, each started their own. However, the only ones who finished it were Mary Shelley and Polidori, who published the short story The Vampyre. is also said that night, Mary Shelley had a nightmare in which a student obsessed with creating artificial life awakens and looks horrified his hideous monster. From this horrible sight, the author undertook the construction the promised tale of terror. For some, Frankenstein or The Modern Prometheus is the first work of science fiction, for others it is one of the great Gothic novels. Are also those who see it as an account of philosophical richness, depth charges arise regarding the nature of man, the border between life and death, and the possibilities of knowledge. Beyond the prospect of trial, they all share that this is a masterpiece, a classic that can not stop reading. Frankenstein


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Rayuela

Rayuela, is the great novel by Julio Cortazar . The book where the Argentine writer knew condense their own obsessions aesthetic, literary and vital in an almost endless mosaic where a whole day was beautifully reflected. The turbulent love Oliveira and La Maga, the friends of the Club of the Snake, walking around Paris in search of heaven and hell have their counterpart in the symmetric adventure Oliveira, Talita and Traveler in Buenos Aires tainted by the memory. The emergence of Hopscotch in 1963 was a breakthrough in the novel in English: first, a writer took until the final consequences will transgress the traditional order of history and language to tell it. The result is this unique book, open to multiple readings, full of humor, of risk and originality unparalleled

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can not talk about Rayuela argument without resorting to reductionism that inevitably distance us from the deeper meaning of the work, since what matters in this novel is not as intricate or novel plot, but the vast universe psychological development of each character and the relationship that, from this universe, down with love, death, jealousy and art.

First hand, there's side tells the story of Horacio Oliveira, an Argentine resident in Paris and its relationship with Maga, which is surrounded by a group of friends that form the Club of the Serpent, with that memorable strike up conversations and discussions give us the vision of Cortázar about the human condition, reflecting the status of the artist.
The second, From this side, Horace returns to Buenos Aires, where he lives with his former girlfriend, where he spent long hours with their friends Traveler and Talita, in the first sees himself before leaving in the second sees La Maga, unforgettable and always present. Finally
In other places, bringing together heterogeneous materials: supplements previous history, newspaper clippings, citations from books and self-critical texts attributed to Morelli, an old writer (may alter ego of Cortázar). These pages, although sometimes associated with the preceding chapters, often no more than vague stimuli Cortazar to help us in some way away from linearity and classical literature and dive into subtexts subtexts subtexts of .
In its substance and form, Rayuela vindicates the importance of the reader and even a way it pushes a role activity and denied by the classic novel on which it was carried by the linearity of a story in which the most important thing "I would happen at the end. "Rayuela the argument in care or care only as is the scene where the characters live and operate in a free and profound vitality that the author gives them and he himself says not to be responsible .

Many critics refer to as a antinovel Rayuela, by the innovative, because it breaks all the canons preset at the time of its issue. However, it can not be said by the author. Cortázar says in an interview that the term "antinovel" seems an "attempt a little poison to destroy the novel as a genre" and therefore prefers the term contranovela. July seeks to this work "to see otherwise contact between the novel and the reader," prompting it to change its passive attitude towards the work, to take an active and critical.

the book is very strange from the very beginning in which the author proposes 2 ways to read it, the traditional beginning of chapter 1 until 56, where the book can be read fluently, and 2nd , starting with chapter 73 and following the order proposed by Cortazar display panel.

I read in the traditional manner, anticipating that otherwise I would reserve for later, when me want to reread it, and that's what fascinated me the idea to re-read a book not be the same. It's exciting moments as you feel that Oliveira is the voice of their conscience that arises, ceases to raise and re-emerges on these things, it seems simple, that is the daily life, post-modernity, believing which is part of everything, anything and both at the same time.
A mixture of philosophy, art and comments from people from different social class. From my point of view, touches on themes like love, unconditional friendship and values, art, exile and return home, in a brilliant, exceptional, extraordinary, mixed with incredible poetry.
is a work that must be present in the library of any good player